Categories

Community

  • weightlossguide101website
  • Priya Varshney
  • MJMCM, RN
  • swaveechess
  • ketoofficialdiet
  • Trúc Quỳnh Nguyễn
  • LadyDaia
  • Sebastian
  • ketodietbeginners
  • thedihedral
  • Shoppen met Marceline
  • nomiddlemanARTgallery
  • jaylocke155
  • mitchylovesanime
  • Sebastian
  • King kong
  • Donald McKenzie
  • Eros Fantasy
  • survivalistss1
  • Sebastian
  • danventuretravels
  • Obaid
  • 1 Poet Forever
  • Anh Lộc Vũ
  • Cait
  • yen luong
  • Anita Vij
  • alkalinediettips
  • Utsa
  • Sebastian
  • Outdoor Gear
  • Meina Ibr
  • Free Leads Generation
  • Stella Mitchell
  • Sebastian
  • gblake94
  • woodworkeasy plans
  • Zeeshan Hoodbhoy
  • Mrs Shahzad
  • familysurvivalexpert
  • Yuval Bloomberg
  • Wandering Ambivert
  • moneybiz2020
  • Tchetoula Adodo
  • Manifestation and Abundance
  • cute3126
  • kartrane.ws
  • Free Coffee Jones
  • Rebecca
  • romanticsugar94

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 676 other subscribers

Visitors online – 2167
users – 27
guests – 773
bots – 1367
The maximum number of visits was – 2021-10-11
all visitors – 200697
users – 7765
guests – 58834
bots – 134098

 9 total views,  2 views today

Man with a Movie Camera (Russian: Человек с киноаппаратом (Chelovek s kinoapparatom) is an experimental 1929 silent documentary film, with no story and no actors by Soviet-Russian director Dziga Vertov, edited by his wife Elizaveta Svilova.

Vertov’s feature film, produced by the film studio VUFKU, presents urban life in the Soviet cities of Kiev, Kharkov, Moscow and Odessa. From dawn to dusk Soviet citizens are shown at work and at play, and interacting with the machinery of modern life. To the extent that it can be said to have “characters,” they are the cameramen of the title, the film editor, and the modern Soviet Union they discover and present in the film.

This film is famous for the range of cinematic techniques Vertov invents, deploys or develops, such as double exposure, fast motion, slow motion, freeze frames, jump cuts, split screens, Dutch angles, extreme close-ups, tracking shots, footage played backwards, stop motion animations and self-reflexive visuals (at one point it features a split-screen tracking shot; the sides have opposite Dutch angles).

In the British Film Institute’s 2012 Sight & Sound poll, film critics voted Man with a Movie Camera the 8th best film ever made. In 2014 Sight & Sound also named it the best documentary of all time.

Man with a Movie Camera (1929) movie

Genres: Documentary, Silent film
Production Co: VUFKU

Director: Dziga Vertov
Writer: Dziga Vertov (scenario)
Cinematography by Mikhail Kaufman, Gleb Troyanski
Film Editing by Dziga Vertov
Assistant editor: Elizaveta Svilova

source

Sách - Bí Quyết Thành Công

View all posts

50 comments

Leave a Reply

%d bloggers like this: